1973 Yom Kippur War sees Sukkahs on army vehicles
Nearly fifty years after the Yom Kippur War, the National Library of Israel has released a number of rare photos showing how the festival of Sukkot (Feast of Tabernacles) was celebrated during the conflict, even as war raged in the Sinai and the Golan Heights.
Also known as the Ramadan War and the 1973 Arab–Israeli War, the Yom Kippur War took this name because it broke out on the Day of Atonement, the holiest day on the Jewish calendar. Because of its name, many forget that Sukkot – which begins just a few days after Yom Kippur – also fell during the height of the fighting.
A Biblical injunction commands Jews to sit in a temporary dwelling called a “sukkah,” during the festival. Due to the circumstances during the war, the chief military rabbi had declared soldiers exempt from fulfilling this commandment, yet many soldiers built improvised sukkot on jeeps and other military vehicles anyway, some even in enemy territory.
The photos include a number taken by the photographer Nathan Fendrich, a then-39-year-old American tourist who had come to Israel to document historical and archaeological sites. Stuck in Israel at the outbreak of the war, he decided to travel between the various fronts, armed with his camera. Fendrich recently donated his collection, including hundreds of previously unpublished photographs, to the National Library of Israel in Jerusalem.
By the end of Sukkot, the turning point in the war had come as IDF forces moved from defence to offence. One contemporary newspaper report from deep in Syrian territory described finding an improvised sukkah on the way to the site of the critical battle at Hushniya junction, with one soldier recounting, “The guys from the armoured division set up the sukkah. Yes, they managed to fulfil the mitzvah of sitting in it, before they were called to destroy the last enemy pocket…”
The photos are part of the Pritzker Family National Photography Collection at the National Library of Israel, the world’s leading collection of its kind, providing a visual record of Ottoman and Mandatory Palestine and Israeli society and culture from the mid-nineteenth century to the present. The collection includes more than two million items, among them photo albums, individual photos, postcards, personal collections and archives of private photographers and photographic agencies.